The Man Who Wouldn't Stand Up
The Man Who Wouldn’t Stand Up
Jacob M. Appel
For Rosalie
Contents
Title Page
Dedication
Spring 2004
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
Spring-Summer 2004
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
ABOUT THE AUTHOR
Copyright
PART I
Spring 2004
CHAPTER 1
One thing led to another.
That was the only way to explain how Arnold Brinkman, who considered both professional sports and young children unjustifiable, had ended up at Yankee Stadium with a nine-year-old boy. The boy was his nephew, the son of his wife’s younger sister. The child’s mother, Celeste, was honeymooning in the Aegean. The child’s father, now Arnold’s ex-brother-in-law, had fled to Fiji—as Fiji did not have an extradition treaty with the United States. It seemed unreasonable, even provoking, that a hustler who’d built his fortune trafficking sex slaves from Eastern Europe should live scot-free in the tropics while Arnold, who recycled scrupulously and overpaid his taxes, got stuck chaperoning this trip to the ballpark, but Judith had promised the kid a baseball game. (Why his wife couldn’t take the boy to the game herself remained a mystery to Arnold—she’d done the promising—but when he suggested as much, she just kissed the inside of his wrist and shook her head.) So here he was. Yankees versus Red Sox. It was hard to imagine a more perfect spring afternoon to waste watching baseball.
They sat in the upper deck, near the foul pole. The boy, Ray, had brought along his baseball glove in the hope of catching a home run. He stood up with every pitch and then sunk back into his seat in disappointment. If the batter made contact with the ball, the child’s head followed its trajectory as though drawn by a magnet.
Arnold found the stadium claustrophobic. It was like riding in an airplane, only warmer—and accompanied by a hostile soundtrack. All around him people shouted down the visiting team with the vehemence of right-wing talk radio. Viewed in the proper context, this enthusiasm was indefensible: Millions of Africans died each year of malaria and AIDS, gluttonous ranchers defoliated the Amazon, rebels in Indonesia cut the hands off prisoners—and these people cared whether Mickey Mantle or Willie Mays was a better centrefielder. Okay, maybe not Mantle and Mays. But whichever self-interested, cocaine-addicted troglodytes had replaced them. Arnold conceded he’d enjoyed baseball himself as a kid—but that was in the days before free-agency and multimillion dollar salaries and the designated hitter rule. It was also before he’d recognized the game for what it was: Bread and circus. “Panem et circenses,” he told the boy. Then he checked himself—he didn’t want to put the idea of going to the circus into the kid’s brain.
While Arnold counted down the innings, he eavesdropped on his neighbours. To his left, an overweight couple with nine school-age children had corralled both a pretzel vendor and a hotdog vendor simultaneously. Their conveyor belt of offspring, all sporting team paraphernalia, distributed the snacks with the efficiency of third world relief workers. Meanwhile, to Arnold’s right, a bald man lectured a girlfriend with a glaring facial rash on the conspiracy to juice up the baseball. “They tie the seams tighter,” he explained. “The media can say it’s steroids, but it’s really all about the ball. My grandmother could launch one of those babies.” This was the amazing thing about democracy, thought Arnold—everybody felt entitled to their own pet theory: That Lyndon Johnson had orchestrated the Kennedy assassination, or that Queen Elizabeth I wrote Shakespeare’s plays, or that Glenn Miller had survived World War II in a Soviet gulag and formed a marching band for prisoners with Raoul Wallenberg. Judith had a colleague at school, an eighth grade teacher in his forties, who taught his classes that Amelia Earhart had been shot down and tortured by the Japanese. If history judged nations by their pet theories, no one could ever doubt that Americans were creative.
The four black men behind Arnold—all in their twenties, all wearing baseball caps—grew rowdier with each round of beers. One of them told a vulgar anecdote about a woman he’d worked with at a bowling alley. Another tossed an ice cube at a Red Sox fan several rows below who’d been criticizing the mothers of the home team players. “If that nigger don’t shut the fuck up,” warned the guy directly behind Arnold—but he kept the threat nebulous. The ice cube skimmed the arm of the Red Sox fan’s seat. The intended victim didn’t notice.
Ray tugged at Arnold’s sleeve.
“Can I ask a question?”
The child was always asking permission to ask a question.
“You just did,” said Arnold.
“Can I ask another?”
“Sure,” said Arnold. “Fire away.”
Ray stood up with the pitch, but the batter fouled it off.
“What’s a nigger?” he asked.
The boy’s question came at a lull in the action. It carried across their little swathe of grandstand like a cloud of plague. Arnold felt his head grow hot. Sweat matted his shirt to his chest. He hadn’t brought along tanning lotion and now the nape of his neck burned like a slab of meat in the sun.
“I’ll tell you after the game,” he said sharply.
Ray rose for another pitch. A called strike. Arnold felt short of breath.
“Can I ask you another question?” the boy asked.
“If you have to.”
“Why won’t you tell me now?”
“I’ll tell you after the game,” Arnold repeated.
“It’s a dirty word, isn’t it?” demanded the boy.
Arnold didn’t answer. A man of a certain breed—he thought of Gregory Peck playing Atticus Finch in To Kill A Mockingbird—would have been capable of sitting the boy on one knee and instilling tolerance. Arnold didn’t have that gift.
“Nigger,” said the boy. Very loud. “Nigger. Nigger.”
The mother of the nine children shot them a look of disdain.
“You can’t say that word like that,” warned Arnold. He spoke at top volume so those around him might hear his disapproval.
“Why not?” asked the boy, no longer seeking permission for questions.
Arnold wanted to say, because it’s a racist slur only used by retrograde bigots and shameful morons who don’t know their own history, but he was fully aware that the four black men behind him were listening, and he was in no mood for confrontation. He suffered a sudden urge to urinate.
“It’s one of those words that some people can use but others can’t,” he said. “It means different things when different people say it.”
“What does it mean when I say it?” asked Ray.
“I don’t know,” said Arnold. “But don’t.”
The loudspeakers punctuated Arnold’s answer with a cry of “Charge!” After that, a scuffle broke out in the neighbouring section and police swarmed the walkways. Ray’s vocabulary-building episode was soon forgotten.
Arnold passed most of the sixth inning negotiating with himself over exactly how long they had to remain at the ballpark. He didn’t want the boy complaining to Judith that they’d left early. It was a tie game, too, so he couldn’t plead the “blow-out” defence. On the other hand, he had no desire to share a subway ride with a mob of drunken hooligans. “We’ll leave after eight innings,” he told the boy. “Eight innings is enough.”
“Okay,” said Ray. “Then you’ll tell me what nigger means.”
The seventh inning stretch couldn’t com
e soon enough for Arnold. Not that he gave a damn about stretching—or singing Take Me Out to the Ball Game—but it marked the beginning of the end, the start of the mass exodus. For him, only nine outs away from freedom. If they caught the express train, Arnold decided, he’d have time to replant his day lilies before their dinner date with the Cards.
When the break finally arrived, American flags appeared on the video screens. The public address system paid tribute to two Bronx soldiers killed in the line of duty. “Please rise and join us,” the announcer said, “in singing God Bless America.” All around Arnold, Yankees fans and Red Sox fans clambered to their feet. Beer vendors rested their trays on the concrete steps; crackerjack men stopped hawking. The father of the nine children ordered his clan to remove their baseball caps. Ray removed his too.
Arnold remained seated.
“C’mon, Uncle Arnold,” said Ray. “Stand up.”
“No, I can’t do that.”
He vaguely recalled hearing about this God Bless America nonsense, possibly on public radio, but he’d dismissed it as so much jingoistic, post 9-11 claptrap. The Star Spangled Banner was bad enough—how many of these nitwits knew what a rampart was?—but the national anthem might at least be justified as a tradition without meaning, akin to printing “In God We Trust” on coins. In contrast, God Bless America was new. Propagandic. Also somewhat farcical—part of a musical program that included hip-hop and Sweet Caroline and The Village People’s Y.M.C.A. That’s right. First they sang about gay hook-ups at the YMCA. Then they asked God to bless their country. Nothing like a well thought-out display of patriotism. Arnold wanted no part of it.
“You’ve got to stand up,” insisted Ray.
All around them, the spectators had begun to sing. One of the nine children—a chinless little girl with chocolate-smeared cheeks—pointed at Arnold. Her mother stopped singing long enough to say, quite audibly, “Ignore the bad man, honey.” Then she sang even louder.
Someone behind him shouted: “Love it or leave it.”
“Please,” begged Ray. The boy tried to lift Arnold by the thumb.
“This is bullshit,” Arnold answered. “It feels like a Nuremberg rally.”
It did feel that way, too. He was probably the only person in the stadium not on his feet—certainly the only able-bodied adult. (There wasn’t much overlap, he suspected, between baseball enthusiasts and civil libertarians.) Besides, how did these people know he wasn’t standing because he was an obstinate jerk? He might just as easily have been a Jehovah’s Witness or a paraplegic or a Canadian. His entire body, he realized, was trembling.
Arnold imagined confronting the mother of nine: pointedly informing her that he was a Vietnam veteran and that he had ten sons serving in the military. Not that this was true—but it could have been. He had fully immersed himself in this fantasy, exploring its various permutations, when a chorus of jeers and hisses drowned out the final bars of patriotic music.
Arnold looked up. All eyes were glued to the video screen. That’s where he saw himself, enlarged for an audience, sitting through their fascistic song. The boy stood at his side, yanking on his fingers.
How dare they?! It was suddenly personal—an aggressive invasion of his privacy. And the man behind the screen kept the camera focused on him.
Arnold might have raised a fist or flicked his middle finger. That was the macho thing to do—one way to put the incident behind him. He could have played the coward and fled. In the long run, that would have been the wisest course. But Arnold couldn’t help feeling he was being bullied, taunted, challenged.
He responded instinctively. He stuck out his tongue.
CHAPTER 2
They rode a gypsy cab home from the stadium. The driver, a rumpled looking Irishman with bumblebee glasses, was listening to the ballgame on the radio. While the taxi inched along the West Side Highway, the outraged Yankees broadcasters took turns denouncing Arnold. You gotta wonder what’s going through a guy’s head, said one. Another, an old-time Hall of Famer, explained what his navy buddies would have done to a loser like that during World War II. The third broadcaster, a woman with a heavy Bronx accent, offered a slightly different take: He’s clearly a nutcase. I say give him medication or shock-therapy or something. The cabbie turned to Arnold and said: “Some wiseass wouldn’t stand during God Bless America. I say we turn guys like that over to Al Qaeda,” continued the cabbie. “If they like the terrorists so much, they can go live with them.” The driver then offered several thoughts on “camel-jockeys” and people who wiped their asses with their bare hands. Arnold threatened Ray with a stern glare, but the child wasn’t going to say anything. He looked frightened, a bit shell-shocked. Arnold patted the boy’s bare knee.
The Brinkmans lived in a Greenwich Village brownstone they’d purchased on the same day that President Ford had told New York City to drop dead. The property included a small side yard surrounded by a stockade fence. Raised beds for flowers and a lilac-canopied arbour gave their modest eighth of an acre the feel of an English vicarage. There was also a birdhouse occupied by a pair of downy woodpeckers and, for Judith, an elevated artist’s studio built into a linden tree. It was the perfect home for an urban botanist and a painter of cityscapes. “He chose me and he chose this building,” Judith often told guests, winking, “so he hasn’t had to make any good decisions since.” But the truth was that they’d evolved alongside the neighbourhood. Judith now taught art part-time at St. Gregory’s. He’d traded in academic botany for a rather lucrative plant nursery. They were just as bourgeois, Judith quipped, as any other civil servants or small businesspeople. She usually qualified this by adding in the West Village.
That afternoon—in the coming days they would call it the afternoon—Judith was waiting for them in the kitchen. She sat cradling a porcelain tea cup in both hands; blotches of crimson paint stained her fingers. For the kid, she’d set out a mug of chocolate milk and a platter of baked goods: Oreos, chocolate chip cookies, sugar wafers, but also miniature éclairs, napoleons, cream puffs. They had Ray for only two weeks, she’d argued. Weren’t they entitled to ruin him?
“How was the roller coaster?” asked Arnold.
Judith had gone to Coney Island to paint. She was quite acclaimed in a “below the radar screen” sort of way for her “reversal of role” canvases: armoured natives greeting loin-clothed European explorers, female sailors catcalling male pedestrians. Her latest project placed senior citizens on amusement park rides.
“How was the roller coaster?” Arnold asked again.
“It had its ups and downs.”
Arnold poured himself a glass of pink lemonade.
“You’re mighty quiet,” he said.
Judith rested her teacup on the table top. She looked from Arnold to Ray, then back to Arnold.
“Did something happen at the game?” she asked.
“Why do you ask?”
“Dammit, Arnold. I knew it was you. As soon as I heard on the radio about what happened, I knew you were behind it.”
“You were listening to the game?”
“I was listening to the news.”
The kid looked up from his plate; he wore a moustache of milk. “I tried to get him to stand up, Aunt Judith.”
“I know you did, darling,” she said.
She crossed into the dining room and began setting the table for the Cards. “I know it’s a ridiculous ritual,” she said. “I understand that as well as anyone. But why just once couldn’t you go along with it anyway?”
Arnold helped her lay out the cutlery. “It’s about the principle.”
“Do you see me going around the city topless on principle?”
Arnold knew the situations weren’t analogous, but he also knew not to suggest that the situations weren’t analogous. “What about freedom of conscience?” demanded Arnold. “What if I were a Jehovah’s Witness?”
“But you’re not a Jehovah’s Witness.”
“That’s what they said in Nazi Germany, Judith. Yo
u know how that thing damn goes: First they came for the trade unionists….”
“Great. Now you’re comparing Yankee Stadium to Nazi Germany.”
“It felt like Nuremberg.”
“Good God, Arnold. What world do you live in? We were in Nuremberg. Remember? Even Nuremberg doesn’t feel like Nuremberg anymore.”
They faced each other, separated by the marble table. The shadow of the unlit chandelier swayed in the soft afternoon light. “Do you put the fork to the right of the plate or to the left of the plate?” asked Arnold.
“Left. Spoons on the right.”
He circled around the table, rearranging flatware. She adjusted the hyacinths and jonquils in the vase.
“Okay, maybe I didn’t need to stick out my tongue,” he said.
“Maybe not,” agreed Judith.
And then they were both laughing. The sort of mutual, tension-relieving laughter one can experience only after twenty-nine years of marriage. It took Arnold half a minute to regain his breath—and then he was laughing again.
“So much for your bourgeois husband,” he jibed.
“I can’t let you out of my sight,” said Judith. “Even for a second.”
“I wouldn’t want you to.”
He wrapped his hands around his wife’s delicate waist, drew her face to his. Three decades had gone by since she’d first knocked on the door of his greenhouse at Barnard—she’d wanted to borrow a carnivorous plant for an art project—and she still had the most stunning features he’d ever set eyes upon. Also the most inscrutable. Often, he still couldn’t tell whether she was pleased or upset.
Arnold rubbed her nose with the end of his. Laughter rapidly melted into longing.
“Control yourself, lover-boy,” she warned. “The kid….”
On cue, Ray entered the room, and asked: “What’s so funny?”